EDUCATION
B.A., Economics, Carleton College, Northfield, MN
M.A., Photography, University of New Mexico, Albuquerque, NM
M.F.A., Photography, University of New Mexico, Albuquerque, NM
NATIONAL GRADUATE SEMINAR, American Photography Institute,
Photography Department, Tisch School of the Arts, New York University, NYC
SOLO EXHIBITIONS
| 2007 | East of Eden, Foto Arte, Brasilia, Brazil
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| 2006 | The Garden, Faaborg Museum, Odense Foto Triennale, Denmark East of Eden, Light Works. Syracuse, New York AnOther Western. Michigan University. Kalamazoo, MI
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| 2004 | Olin Art Gallery, Kenyon College, Ohio
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| 2002 | AnOther Western, Adrian College, Michigan Two Million Steps, Elizabeth Leach Gallery, Portland, Oregon
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| 2001 | AnOther Western, Wooster Art Museum, Wooster College, Wooster, Ohio
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| 2000 | AnOther Expedition. Elizabeth Leach Gallery, Portland, Oregon
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| 1999 | AnOther Western, Schneider Museum of Art, Southern Oregon University, Ashland, Oregon
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| 1998 | AnOther Western, Elizabeth Leach Gallery, Portland, Oregon
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| 1997 | UNCOMMON TRAITS: RE/LOCATING ASIA, Center for Exploratory and Perceptual Art, Buffalo, New York ASSIMULATION, Bucheon Gallery, San Francisco, California
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| 1995 | ASSIMULATION, ARC. Albuquerque, New Mexico MFA SHOW, Fitzgerald Gallery, Albuquerque, New Mexico
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GROUP EXHIBITIONS
| 2007 | Tell Me A Story: Narrative Photography Now, Museum of Contemporary Photography, San Diego, California
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| 2006 | At Play, curated by Anne Tucker, FOTOFEST, Houston, Texas
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| 2005 | Trace Element, The Allen Art Museum, Oberlin, Ohio Photographer's View: Found and Invented, Elizabeth Leach Gallery, Portland, Oregon 11 Nguyen – 30 Years Loss, PH Gallery, New York, New York
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| 2004 | New Gallery Group Exhibition, Elizabeth Leach Gallery, Portland, Oregon
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| 2003 | Through Our Lenses, presented by the Nathan Cummings Foundation and the Photography Institute, New York, New York Only Skin Deep, Phase One, International Center for Photography. New York Art Cologne. Elizabeth Leach Gallery. Cologne, Germany
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| 2002 | MYTH & MEMORIES. WORKS. San Jose, CA A Winter’s Night: Motel Haus III, Premier of Pi(ng) Po(ng), curated by Creative Material Group, Eugene, Oregon
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| 2001 | FACULTY EXHIBITION. Schneider Museum, Southern Oregon University, Ashland, Oregon NEW HISTORY OF THE WEST. San Francisco Camerawork, San Francisco, California BETWEEN BORDERS, SPACES, Cleveland, Ohio
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| 2000 | 25 Years: A Celebration of the University Art Gallery's Permanent Collection, The University Art Gallery at New Mexico State University. New Mexico State University. Las Cruces, New Mexico AMERICAN PHOTOGRAPHY INSTITUTE: TENTH ANIVERSARY, Tisch School of the Arts, New York EN FOCO 25th ANIVERSARY, The Bronx Museum, New York PHOTO AMERICA, Elizabeth Leach Gallery, Portland, Oregon
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| 1999 | IEN FOCO 25th ANIVERSARY, Museo del Barrio, New York IMAGE OHIO.Roy G Biv Gallery. Curated by Tony Mendoza. Columbus, Ohio NEW WORKS, An Exhibition of En Foco's Photography Award Winners. Wisconsin Union Gallery, Madison, Wisconsin
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| 1998 | NEW WORKS, El Taller Boricua Gallery, New York
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| 1997 | SSUES OF IDENTITIES, Bucheon Gallery, San Francisco, California FACULTY SHOW, Schneider Museum, Southern Oregon University, Ashland, Oregon NATURALES MUERTE, Bucheon Gallery, San Francisco, California
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| 1996 | NEW STORIES, Stevenson Union Gallery, Southern Oregon University, Ashland, Oregon YOUNG AND RESTLESS, Bucheon Gallery, San Francisco, California ALERT, Offsite, Santa Fe, New Mexico MOVEABLE FEAST, San Francisco Camerawork, San Francisco, California SOUTHWEST ’96, Museum of Fine Arts, Santa Fe, New Mexico
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| 1995 | SPE, Albuquerque, New Mexico GALLERY SHOW, Page Coleman Gallery, Albuquerque, New Mexico PEACE ART SHOW, touring New Mexico and Japan, curated by Tom Powel AMERICAN PHOTOGRAPHY INSTITUTE FELLOWS, Tisch School of the Arts, New York THE NICKEL MATINEE, The ASA Gallery, University of New Mexico, Albuquerque JURIED GRADUATE SHOW, curated by Eleanor Heartney, The Johnson Gallery, University of New Mexico, New Mexico
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GRANT & AWARDS
| 2005 | OHIO ART COUNCIL GRANT, Ohio Art Council, Columbus, Ohio Research & Material Grant, Oberlin College, Oberlin, Ohio Grant-in-Aids, Oberlin College, Oberlin, Ohio H.H. POWERS TRAVEL GRANT, Oberlin College, Oberlin, Ohio
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| 2004 | Research & Material Grant, Oberlin College, Oberlin, Ohio Grant-in-Aids. Oberlin College. Oberlin, Ohio |
| 2003 | H.H. POWERS TRAVEL GRANT, Oberlin College, Oberlin, Ohio Research & Material Grant, Oberlin College, Oberlin, Ohio |
| 2000 | HEADLANDS CENTER FOR THE ARTS, Artists-in-Residence Program, Sausalito, California OHIO ART COUNCIL GRANT, Ohio Art Council. Columbus, Ohio B. WADE and JANE B. WHITE FELLOWSHIP IN THE HUMANITIES, Oberlin College, Oberlin, Ohio |
| 1999 | LIGHTWORK FELLOWSHIP, Light Work, Syracuse, New York H.H. POWERS TRAVEL GRANT, Oberlin College, Oberlin, Ohio 1998 VAN DEREN COKE, Department of Art & Art History, University of New Mexico, Albuquerque, New Mexico |
| 1997 | OREGON ARTS COMMISSION FELLOWSHIP, Mixed Media, Photography, Oregon Arts Commission, Salem, Oregon EN FOCO's Grant to Create New Work, EN FOCO, Bronx, New York ARTIST’S ANGEL AWARD. Vermont Studio Center, Johnson, Vermont THE LILA WALLACE-READER’S DIGEST ARTISTS at GIVERNY, Lila Wallace & Reader’s Digest Fund, managed by Arts International, New York |
| 1996 | N.E.A. Work done on Paper, Western States Arts Federation ART MATTERS FELLOWSHIP, Art Matters, New York RESEARCH GRANT. University of New Mexico, Albuquerque, New Mexico |
| 1995 | GETTY FOUNDATION, Getty Foundation, New York PROFESSIONAL DEVELOPMENT GRANT, College Arts Association, New York AMERICAN PHOTOGRAPHY INSTITUTE NATIONAL GRADUATE FELLOWSHIP SEMINAR, Tisch School of the Arts, New York GRADUATE SCHOLARSHIP GRANT, University of New Mexico, New Mexico GRADUATE TUITION GRANT, University of New Mexico, New Mexico |
SELECTED LECTURES & PRESENTATIONS
| 2006 | Columbia College, Chicago, Illinois
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| 2005 | Western Michigan University, Kalamazoo, Michigan
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| 2004 | Kenyon College, Ohio
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| 2003 | University of North Alabama
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| 2002 | University of Oregon, Eugene, Oregon Adrian College. Michigan Kenyon College, Ohio Ringling College of Art, Florida Southern Oregon University, Oregon
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| 2001 | Headlands Center for the Arts, The Marine Headlands, California Art Museum. Wooster College, Wooster, Ohio Art & Identity Panel, Cleveland Public Library, Cleveland, Ohio
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| 2000 | A Curriculum for the New Millennium, American Photography Institute, New York University of Washington, Seattle, Washington Allen Art Museum, Oberlin College, Oberlin, Ohio
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| 1998 | ASSIMULATION & AN OTHER WESTERN, Washington University, St. Louis, Missouri ASSIMULATION & AN OTHER WESTERN, University of Indiana, Bloomington, Indiana ASSIMULATION & AN OTHER WESTERN, Oberlin College, Oberlin, Ohio
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| 1997 | ASSIMULATION, Schneider Museum of Art, Southern Oregon State College, Ashland ASSIMULATION, University of Oregon, Eugene, Oregon
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| 1996 | ASSIMULATION, Stevenson Union Gallery, SOU, Ashland, Oregon ASSIMULATION, Southern Oregon State College, Ashland, Oregon PIPO & BILL ADAMS, San Francisco Camerawork, San Francisco, California ASSIMULATION, New York State University at New Paltz, New Paltz, New York ASSIMULATION, College Art Association, Boston, Massachusetts
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| 1995 | THREE PHOTOGRAPHERS, Albuquerque United Artists, Albuquerque, New Mexico ASSIMULATION, New Mexico State University, Grants, New Mexico |
ARTIST IN RESIDENCE
| 2004 | LIGHTWORK, Syracuse, New York
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| 2001 | HEADLANDS CENTER FOR THE ARTS, Sausalito, California
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| 2000 | SOUTHERN OREGON UNIVERSITY, Ashland, Oregon
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| 1998 | LILA WALLACE-READER DIGEST’S ARTISTS AT GIVERNY, Monet’s Garden, Giverny, France
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| 1997 | THE VERMONT STUDIO CENTER, Johnson, Vermont |
CURATORIAL & PANELS
| 2006 | Mid-Atlantic Arts Foundation, Photography Panel, New Jersey Arts Council, Maryland Arts Council, Pennsylvania Arts Council Six States Photography Exhibition, FAVA Gallery, Oberlin, Ohio
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| 2005 | HUNG LIU: Works, Schneider Museum of Art, Ashland, Oregon
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| 1998 | FABRICATION: Identity in Contemporary American Photography, Schneider Museum of Art, Ashland, Oregon & Galerie Vrais Reves, Photographies Contemporaines, Lyon, France
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| 1997 | ART AND THE MECHANIZED SOCIETYi, co-curated with Greer Markle, Schneider Museum of Art, Ashland, Oregon |
SELECTED BIBLIOGRAPHY
| 2006 | CONTACT SHEET #135: Pipo Nguyen-duy, A Publication of Lightwork, introduction by Hannah Frieser, essay by Jennie Hirsch. The Landscape as Backdrop. Katherine Rushworth. The Post Standard/Stars. Page 24, Sunday, February 12, Syracuse, New Times Stress Test. A Photography show shakes up viewers’ levels of comfort at Lightwork. Carl Mellor, Syracuse New Times, page 21, February 15 - 22, 2006
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| 2005 | CONTACT SHEET #132: East of Eden, A Publication of Lightwork. Essay by Stephen Borys, Pages 4-9. TRACE ELEMENTS. Allen Memorial Art Museum. Essay by Jennie Hirsch, Interview by Stephen Borys, Biography by Susanna Newbury. Pages 14-17, 62-75. Oberlin Museum shows quietly powerful faculty work. Steven Litt, Plain Dealer Art Critic. The Plain Dealer, December 7.
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| 2004 | An eastern look at the west provokes thought, laughs. Lindsay Warner. The Kenyon Collegian.
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| 2003 | FRESH TALK/DARING GAZES: Asian American Issues in the Contemporary Visual Arts. Co-Editors: Elaine Kim, University of California at Berkeley, and Margo Machida,New York. Essay by Donald Odita. University of California Press. 2002 Pipo Nguyen-duy: Two Millions Steps. Myth and Memory. Nora Nguyen. Portlandscape Artists PICA's Northwest Narrative. Lisa Lambert. Williamet Weekly, Portland, Oregon.
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| 2001 | Pacific Heights. Michaela Bancud, ARTnews, December 2001. City Focus, page 84. THE COMMEMORATE ISSUE. NUEVA LUZ. En Foco Inc. Between. Katherinr Mc Manus Zurko. Woodster College Museum. Wooster, Ohio. Between the Borders: New Form of Identity. Frank Green. SPACES, Cleveland, Ohio. Between You And Me. Douglas Max Utter. Arts. Cleveland Free Times, September 26 - October 2. QUESTIONS OF IDENTITY, Dan Tranberg. The Plain Dealer, Arts & Life. Wednesday, September 26, page E1 & 10. ‘Faculty Exhibition’ at the Schneider Museum of Art’. Isaac Peterson. Artweek, June 2001, Volume 32. Issue 6, Review. RE-IMAGING THE WEST: A NEW HISTORY, Alicia Miller, pages 5-8. CAMERA WORK. Volume 28, No.1, Spring/Summer 2001. VISUAL VISITATIONS: CONNECTING PAST & PRESENT PHOTOGRAPHIC REALITIES. Theresa Harlan, pages 11-14. CAMERA WORK. Volume 28, No.1 Spring/Summer 2001 PHOTOGRAPHIC MEMORY. Marissa Olson, pages 23 - 26. CAMERA WORK. Volume 28, No.1, Spring/Summer 2001.
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| 2000 | PHOTOGRAPHIC POSSIBILITIES. The Expressive Use of Ideas, Materials and Processes. Robert Hirsch. Focal Press, 2nd edition. 1999 Rattling the Frame. The Photographic Space: 1974-1999. CAMERA WORK, Fall/Winter 99. Volume 26, No. 2, page 36. The Looking Glass: Three Photographers. Irene Small, Gallery. DIALOGUE: A publication of the Asian American Arts Alliance, Fall
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| 1999 | Volume 2, Issue 2, pages 23, 26, 27. 'Pipo: AnOther Western'. Steven Jenkins, Preview. Artweek May 1999, Volume 30, Issue 5. page 6. Photographs Show Depth of Ohio Talent. Sharon Kokot. THE COLUMBUS DISPATCH, Sunday, April 25, page 8f. SNAPPY SHOTS: Image Ohio SURVEYS THE STATE'S PHOTO ARTS. Melissa Starker, Art Scene. Columbus Alive, April 15, page 12. IMAGE OHIO. Catalogue. Roy G Biv Gallery. Columbus, Ohio. NUEVA LUZ. A Photographic Journal. Volume 6, No. 1, pages 22 - 31. EN FOCO INC. Bronx, New York. TIN HOUSE. Premiere Issue. McCormack Communications. Volume 1, No. 1, Spring, pages 19, 33, 72, 82, 87, 100, 123, 143, 155, 184.
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| 1998 | HOW THE WEST WAS WON. D.K. Row, The Oregonian: Visual Arts, Friday, October 23. page 62. Neither This Nor That. Ronald Ehmke, Review. Afterimage, July/August page 16. EXPLORING IDENTITY. Amy Richard, Ashland Daily Tidings: Revels January 30 - February 6, page 11.
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| 1998 | New Work Award. EN FOCO. Photography in New York International. March – April, page 124. PROFESSIONAL FELLOWSHIP DEVELOPMENT PROGRAM. CAA News. January, page 9. FOURTH BIENNIAL PHOTOGRAPHY ART AUCTION. CEPA Gallery. (Catalogue).
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| 1997 | IS ANYBODY HOME? RE/LOCATING ASIA AT CEPA GALLERY. Elizabeth Licata, Artvoice, V8N40, October 15 - 21, page 16. IMAGES OF THE LINK BETWEEN TWO WORLDS. Ronald Ehmke, The Buffalo News/Thursday, September 25. UNCOMMON TRAITS: RE/LOCATING ASIA( PART I ). Alice E. Gerard, Buffalo Alternative Press, October 9 - 23, page 10. UNCOMMON TRAITS: RE/LOCATING ASIA. Center for Exploratory and Perceptual Art, Buffalo, New York. PARALLAXIS. Fifty-five Points to View. A publication of the Western States Art Federation. pages 79 & 138. Artist Notes by Kathleen Shields. PIPO NGUYEN-DUY AT BUCHEON GALLERY. Celeste Connor, Artweek, Volume 28, No. 6, June. FACULTY DISPLAYS TALENT. Tracey Buck, The Siskiyou, Issue 23, Volume 70, page 10. PROFESSOR TO STUDY IN MONET'S GARDEN. Tracey Buck, The Siskiyou, Issue 19, Volume 70, page 12. SOSC Art Instructor to study abroad. Bill Varble, Weekly Art & Entertainment, page 2, The MaiTribune, Friday, 3/21. ADAM & EVE. The Image Issue, THE Magazine, April 1997.
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| 1996 | A CONVERSATION WITH MARNIE GILLET, EXECUTIVE DIRECTOR, SAN FRANCISCO CAMERA WORKS. Meredith Tromble, Artweek, Volume 27, No. 7, July 1996, pages 13 – 14. NEA. David Steinberg, Albuquerque Journal, Sunday, July 28. PIPO: DEFINING IDENTITY IN TABOOS. Mary Lee, Viet Magnet, Volume II, No. 3, June, page 7. ARTISTS ON ALERT. Lynn Hunter Cline, Pasatiempo, May 31 - June 6, pages 4 & 48. SOUTHWEST ’96. Richard Tobin (Critical Reflections). THE MAGAZINE, May, page 25. A “FEAST” FOR MIND AND EYE. Chiori Santiago, San Jose Mercury News, May 12, pages 3 & 14. PHOTO GALLERY’S NEW FOCUS. Sam Whiting, San Francisco Chronicle, Friday, May 3, pages D1 & D12. GETTING A MOVE ON. San Francisco Weekly, May 1 - 7, page 16. MOVEABLE FEAST. After Image, May. THE BIENNIAL. The Santa Fean, April. YERBA BUENA’S LATEST TENANT. San Francisco Live, April, page 5. MOVEABLE FEAST. In the Gallery, Camerawork, Volume 23, No. 1, Spring & Summer, page 42. CAA PRESIDENT JUDITH K. BRODSKY’S FAREWELL ADDRESS. CAA Newsletter,Volume 21, No. 2, March/April. THE BIENNIAL. Tom Collins (Artstuff), Santa Fe Reporter, March 27 - April 2, page 25. 11 ARTISTS. Diane Armitage (Critical Reflections), THE MAGAZINE, January, page 4. 1995 11 ARTISTS. Albuquerque Journal, Sunday, December 10, Wesley Pulka, Page 45.
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| 1995 | FELLOWSHIP RECIPIENTS NAMED. CAA News, September/October, pages 3 - 4. ANTHOLOGY OF VIETNAMESE AMERICAN ARTISTS. The San Jose Mercury News. PEACE ART SHOW: ATOMIC SYNTHESIS & SOCIAL FALLOUT. Diane Armitage (Critical Reflections), THE MAGAZINE, June 11, page 71. GRADUATE SHOW. Diane Armitage ( Critical Reflections), THE MAGAZINE, May, page 71. PIPO. Fellows' Biographies and Images, American Photography Institute, National Graduate Seminar, Tisch School of the Arts, New York
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TELEVISION AND RADIO INTERVIEWS
| 2006 | WCNY, Syracuse, New York
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| 2005 | Around Noon, The Dian Rehm Show. WCPN, Cleveland, Ohio, November 21.
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| 1996 | AN INTERVIEW WITH PIPO. KALX, Berkeley, California, May 16
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PUBLIC COLLECTIONS
Las Cruces Museum of Fine Art. Las Cruces, New Mexico
International Peace Center, Tokyo, Japan
N.E.A Archive, The Smithsonian, Washington, DC
EN FOCO. Bronx, New York
U.S. EMBASSY, Laos
Eastman Kodak House, Rochester, New York
Light Work. Syracuse, New York
Museet for Fotokunst, Odense, Denmark